11 Audio Production jobs in the United Kingdom

• Mix live audio for various broadcast formats including television, streaming, and podcasts.
• Oversee audio setup and technical configurations for remote broadcast productions.
• Ensure high-quality audio capture, mixing, and mastering.
• Operate and manage professional audio equipment and software.
• Collaborate with directors, producers, and other technical staff to achieve desired audio outcomes.
• Troubleshoot and resolve audio-related technical issues in real-time during live broadcasts.
• Manage audio asset libraries and ensure proper archiving.
• Stay updated on the latest audio technologies and broadcast standards.
• Provide technical support and guidance to junior audio engineers.
• Conduct remote sound checks and quality assurance for broadcast feeds.

• Bachelor's degree in Audio Engineering, Sound Design, Music Technology, or a related field, or equivalent professional experience.
• Minimum of 7 years of experience in broadcast audio engineering or live sound mixing.
• Proficiency with major DAWs (e.g., Pro Tools, Logic Pro X, Ableton Live) and digital mixing consoles (e.g., Yamaha, Avid, Behringer).
• Strong understanding of audio networking protocols (e.g., Dante, AES67).
• Experience with audio post-production techniques, including mixing, mastering, and sound design.
• Knowledge of acoustics, signal processing, and microphone techniques.
• Excellent problem-solving skills and the ability to work independently and efficiently in a remote setting.
• Strong communication and interpersonal skills to effectively collaborate with remote teams.
• Ability to manage multiple projects simultaneously and meet tight deadlines.
• A portfolio showcasing a range of broadcast audio work is highly desirable.

• Oversee all aspects of audio production for broadcast, including recording, mixing, and mastering.
• Operate and maintain a wide range of broadcast audio equipment, including mixing consoles, microphones, signal processors, and digital audio workstations (DAWs).
• Mix live and pre-recorded audio feeds to broadcast standards, ensuring clarity, balance, and emotional impact.
• Troubleshoot and resolve audio-related technical issues during live broadcasts and recordings.
• Collaborate closely with directors, producers, and other technical crew members to achieve the desired soundscape.
• Implement and manage audio signal flow, ensuring efficient and high-quality transmission.
• Stay abreast of the latest advancements in broadcast audio technology, software, and techniques.
• Develop and maintain audio assets, libraries, and documentation.
• Conduct remote sound checks and provide technical support to talent and crew in different locations.
• Ensure compliance with all relevant broadcast technical specifications and quality control standards.

• Extensive experience as a Broadcast Sound Engineer or in a similar high-stakes audio mixing role within the media industry.
• Proven expertise with digital mixing consoles (e.g., Yamaha, Midas, Studer), RF systems, and various microphone technologies.
• Advanced proficiency in industry-standard DAWs such as Pro Tools, Nuendo, or Adobe Audition.
• Deep understanding of acoustics, signal processing, and audio post-production techniques.
• Demonstrated ability to work calmly and effectively under pressure in live broadcast environments.
• Excellent problem-solving skills and a proactive approach to technical challenges.
• Strong communication and interpersonal skills, with the ability to collaborate effectively with remote teams.
• A keen ear for detail and a passion for delivering superior audio quality.
• Familiarity with IP-based audio networking (e.g., Dante) is a significant advantage.
• Must have a reliable, high-speed internet connection and a dedicated, acoustically treated space for critical listening and mixing.

• Oversee and execute all aspects of sound engineering for live broadcasts and large-scale events, ensuring high-fidelity audio output.
• Mix live sound for broadcast audiences, applying expertise in signal flow, equalization, dynamics processing, and spatial audio.
• Operate and manage complex audio mixing consoles (digital and analog), effects units, and microphones.
• Ensure seamless integration of audio systems with broadcast infrastructure, including video feeds and communication systems.
• Troubleshoot and resolve audio-related technical issues promptly during live productions.
• Collaborate closely with directors, producers, and other technical crew members to achieve the desired sonic outcomes.
• Maintain and manage audio equipment, including inventory, calibration, and repair coordination.
• Stay current with advancements in audio technology, including digital audio workstations (DAWs), networking protocols (e.g., Dante), and immersive audio formats.
• Record and mix audio for pre-produced segments and supplementary broadcast content.
• Ensure adherence to broadcast standards and best practices for audio quality and delivery.
• Contribute to technical planning and pre-production meetings for upcoming events.
• Mentor junior sound engineers and provide technical guidance.

• Minimum of 6 years of professional experience as a Broadcast Sound Engineer or Live Sound Engineer with extensive broadcast experience.
• Proven track record of successful sound engineering for major live events, concerts, or television productions.
• In-depth knowledge of audio signal flow, acoustics, psychoacoustics, and live sound reinforcement techniques.
• Proficiency with digital audio mixing consoles (e.g., Yamaha CL/QL, Avid Venue, DiGiCo) and associated software.
• Experience with audio networking protocols such as Dante is essential.
• Strong understanding of microphone techniques, signal processing, and live audio mixing best practices.
• Ability to work effectively under pressure in fast-paced live production environments.
• Excellent problem-solving skills and technical troubleshooting capabilities.
• Strong communication and interpersonal skills, with the ability to collaborate effectively with diverse teams in a remote setting.
• A portfolio or examples of previous broadcast sound work is highly desirable.

• Oversee all aspects of event production, from concept development through to on-site execution and post-event debrief.
• Develop and manage detailed production schedules, budgets, and resource plans.
• Source, negotiate with, and manage external suppliers and contractors, including staging, sound, lighting, AV, and technical crews.
• Ensure all technical and production elements meet high standards of quality, safety, and compliance.
• Liaise closely with artists, artists' management, promoters, and venue representatives.
• Develop and implement comprehensive risk assessments and emergency management plans.
• Manage on-site logistics, including load-in, set-up, event operation, load-out, and site restoration.
• Lead and motivate on-site production teams, fostering a collaborative and efficient working environment.
• Ensure compliance with all health and safety regulations, licensing, and local authority requirements.
• Manage artist and crew hospitality and technical riders.
• Troubleshoot and resolve production issues efficiently during live events.
• Contribute to the creative development and enhancement of event experiences.
• Manage post-event reporting, including budget reconciliation and operational reviews.

• Significant experience in event production management, with a strong focus on live music and large-scale festivals.
• Demonstrated success in managing complex technical productions involving audio, lighting, video, and staging.
• In-depth knowledge of production logistics, site management, and supplier negotiation.
• Proven ability to manage large budgets and control costs effectively.
• Strong understanding of health, safety, and environmental regulations relevant to live events.
• Excellent leadership, communication, and interpersonal skills.
• Ability to work effectively under pressure and make critical decisions in fast-paced environments.
• Proficiency in project management software and standard office applications.
• A proactive and resourceful approach to problem-solving.
• Experience working with a variety of artists and international acts is an advantage.
• Flexibility to work evenings, weekends, and travel as required by event schedules.

Sound & AV Engineer - AR/VR Research

Cambridge (onsite) | Up to £64,000 | 12-month contract | Inside IR35, PAYE, weekly pay

We're looking for a Sound & AV Engineer to join a research team working on next-generation AR/VR. You'll be based in a world-class acoustic lab, setting up kit, capturing high-quality audio and video, and supporting researchers on cutting-edge projects.

What you'll get

• Salary up to £64,000 (PAYE, weekly pay)
• 12-month contract - inside IR35 - PAYE + possibility of extension
• Location: Cambridge - Fully onsite
• Access to one of the most advanced audio labs in the world

What you'll do

• Set up and run audio/video recording sessions
• Process recordings using scripts and tools
• Collaborate with researchers and volunteers

What you'll need

• Experience in sound engineering or AV technician roles (mics, DAWs, interfaces)
• Strong attention to detail, organisation and communication skills
• A genuine interest in sound and audio

Nice to have: Python, Linux/command line or database experience.

Apply now to be part of a team shaping the future of immersive audio. For more info send in your CV to me Som in Principle.

Som |