18 Dubbing jobs in the United Kingdom

• Edit raw footage into compelling and coherent narratives, adhering to the director's vision and project objectives.
• Select the best takes, arrange scenes, and craft the pacing and flow of the final film.
• Collaborate closely with directors, producers, and other post-production personnel to achieve the desired creative outcome.
• Perform rough cuts, fine cuts, and final edits, incorporating feedback throughout the process.
• Integrate visual effects, sound design, colour grading, and music into the edit.
• Ensure continuity and consistency across all scenes and sequences.
• Manage and organize project media, ensuring efficient workflow and backups.
• Troubleshoot technical issues related to editing software and hardware.
• Stay updated on the latest editing techniques, software, and industry trends.
• Adapt to various project requirements and deadlines, working effectively under pressure.
• Maintain a meticulous attention to detail in all aspects of the editing process.
• Communicate effectively with team members, both remotely and in person.

• Proven professional experience as a Film Editor, with a strong portfolio showcasing diverse projects.
• Expert proficiency in professional non-linear editing software such as Adobe Premiere Pro, Final Cut Pro, or Avid Media Composer.
• In-depth understanding of filmmaking principles, storytelling techniques, and narrative structure.
• Experience with motion graphics and visual effects integration.
• Familiarity with colour correction and grading software (e.g., DaVinci Resolve).
• Strong understanding of audio mixing and sound design principles.
• Excellent organisational skills and ability to manage large volumes of footage.
• Ability to receive and incorporate constructive criticism.
• Strong problem-solving skills and the ability to think creatively under pressure.
• Excellent communication and interpersonal skills, with the ability to collaborate effectively.
• Experience working in a hybrid remote/in-office environment is advantageous.
• A passion for film and a commitment to artistic excellence.

• Edit raw footage into compelling and coherent narratives for films, documentaries, and short-form content.
• Collaborate closely with directors and producers to understand their creative vision and achieve the desired narrative and emotional impact.
• Assemble rough cuts, progressively refining pacing, rhythm, and flow.
• Select the best takes, sound effects, music, and graphics to enhance the story.
• Perform color correction and grading to achieve a consistent visual style.
• Sync audio and video, ensuring high-quality sound mixing and editing.
• Manage media assets, organize projects, and maintain efficient digital workflows.
• Incorporate feedback from directors, producers, and other stakeholders throughout the editing process.
• Stay current with the latest editing techniques, software updates, and industry trends.
• Ensure final deliverables meet broadcast or distribution technical specifications.
• Contribute creative ideas and solutions to overcome storytelling challenges.

• Proven experience as a Film Editor, with a strong portfolio showcasing narrative feature films, documentaries, or equivalent projects.
• Expert proficiency in professional editing software such as Adobe Premiere Pro, Final Cut Pro, DaVinci Resolve, or Avid Media Composer.
• Deep understanding of cinematic storytelling, narrative structure, pacing, and editing techniques.
• Experience with color grading tools and sound editing principles.
• Proficiency in media management and non-linear editing workflows.
• Excellent attention to detail and a keen eye for visual and auditory quality.
• Strong communication and collaboration skills, with the ability to receive and integrate constructive feedback effectively.
• Ability to work independently, manage time efficiently, and meet tight deadlines in a remote environment.
• Bachelor's degree in Film Production, Media Arts, or a related field, or equivalent professional experience.
• Knowledge of motion graphics and visual effects integration is a plus.

• Lead and manage the post-production process, including editing, color grading, sound design, and visual effects integration.
• Edit film and video content to the highest creative and technical standards, aligning with project objectives and director's vision.
• Supervise and mentor a team of editors, assistant editors, and post-production staff.
• Collaborate closely with directors, producers, and other creative stakeholders throughout the post-production phase.
• Manage project timelines, budgets, and resources efficiently to ensure on-time and within-budget delivery.
• Oversee color correction and grading to achieve the desired aesthetic and mood.
• Coordinate sound mixing, Foley, and ADR sessions to create a compelling audio experience.
• Ensure seamless integration of visual effects and motion graphics.
• Manage final mastering and delivery of projects in various formats, adhering to broadcast and distribution specifications.
• Troubleshoot technical issues that arise during the post-production process.
• Stay updated with the latest editing software, hardware, and post-production techniques.
• Maintain organized project files and archives.
• Contribute creative ideas and solutions to enhance storytelling and visual impact.

• Proven experience (7+ years) as a Senior Film Editor or Post-Production Supervisor in a professional studio or production company.
• Extensive portfolio showcasing a diverse range of high-quality film and video projects.
• Expert proficiency in industry-standard editing software such as Adobe Premiere Pro, Final Cut Pro, DaVinci Resolve, or Avid Media Composer.
• Strong understanding of color grading, sound design principles, and VFX workflows.
• Demonstrated experience in leading and managing post-production teams.
• Excellent organizational, time management, and problem-solving skills.
• Strong communication and interpersonal skills, with the ability to collaborate effectively with creative teams.
• A keen eye for visual aesthetics, storytelling, and pacing.
• Ability to work under pressure and meet tight deadlines.
• Knowledge of various delivery formats and codecs.
• Must be based in or willing to commute to Birmingham, West Midlands, UK .

• Leading the editing process for film and video projects from rough cut to final delivery.
• Supervising and guiding a team of post-production professionals (editors, colourists, sound mixers).
• Collaborating closely with directors and producers to achieve creative vision.
• Managing post-production schedules and budgets effectively.
• Ensuring seamless integration of all post-production elements (editing, sound, colour, VFX).
• Performing high-quality editing, including narrative structuring, pacing, and tone.
• Overseeing colour grading and sound mixing processes.
• Managing final deliverables for various platforms and formats.
• Troubleshooting technical issues within the post-production pipeline.
• Staying current with industry trends and adopting new technologies.
• Maintaining a well-organised media library and post-production assets.
• Contributing creative ideas and solutions to enhance projects.

• Edit film and video content, including feature films, documentaries, short films, and promotional materials, ensuring pacing, narrative flow, and emotional impact.
• Oversee the entire post-production process, including picture editing, sound design, colour grading, and visual effects integration.
• Manage and mentor a team of assistant editors, sound mixers, and colourists.
• Collaborate closely with directors, producers, and other creative stakeholders to achieve the desired artistic vision.
• Ensure all technical specifications and delivery requirements are met for various platforms.
• Troubleshoot and resolve any technical issues that arise during the post-production process.
• Manage project timelines and budgets for post-production activities.
• Perform colour grading and sound mixing, or supervise these processes expertly.
• Maintain high standards of quality control throughout the post-production pipeline.
• Stay up-to-date with the latest editing techniques, software, and post-production technologies.

• Proven experience as a feature film editor, with a strong portfolio showcasing a range of projects.
• Expert proficiency in professional editing software such as Adobe Premiere Pro, Final Cut Pro, or DaVinci Resolve.
• Solid understanding of the entire post-production workflow, including colour correction, sound mixing, and VFX integration.
• Experience in a supervisory or leadership role within a post-production environment.
• Excellent storytelling and narrative construction skills.
• Strong communication, collaboration, and interpersonal skills.
• Ability to manage multiple projects simultaneously and meet tight deadlines.
• Knowledge of various codecs, file formats, and delivery standards.
• A keen eye for detail and a passion for visual storytelling.
• Experience with motion graphics or visual effects is a plus.

Broadcast Technology Project Manager - Post Production Broadcast Technology
Outside IR35 TBC Approx 500-550pd
3-6 months (ideally 4 days a week M-T)
Hybrid Working Typically 1-2 days a week in West London
Immediate Start

Project manager with relevant Broadcast Sector experience with Post Production Workflow and / Post Production Technology experience/Knowledge. This is an Urgent fast paced project requiring someone to start at short notice (immediate start or within 1-2 Weeks notice). It is a technology and change project which will involve moving key post production and data workflows to a new system in a short period of time. The right person will need the ability to get up to speed quickly and work confidently with people to get decisions made while maintaining good relationships with Engineering, Creative teams and current and target Post Production Vendors/suppliers.

Broadcast Media Client based in West London - looking for someone nearly full time (ideally 4 days a week) in the first phase of the project which will be for approximately 3 months, then reducing to part time for the remainder of the project, a further 3 months (approx 2 days a week).

The person
* Experienced at project management and change management within the broadcast media / post production sector (Delivering media Technology projects along with managing/preparing for the resulting change)
* Strong Project Manager with some Business Analysis skills to be able to gather information and document clearly (This is not a BA role - Project management and Change Management is most important)
* Good experience of post production, creative flows, MAM workflows and data,
* Good Experience of working with Creative and Technology teams
* Can work at pace and get up to speed quickly with the teams and the technology
* Can manage a project team and work with a 3rd party vendor
* Can work in detail and give senior stakeholders clear status reports and information to make decisions
* Can work in West London office approx 1-2 days a week and attend meetings in person

Although we are looking for someone to drive this project forward and be really on it, we need someone with great communication skills and collaboration skills who can keep work well with the small technology Engineering teams, new vendor, and help the Creative teams make a comfortable operational transition to the new post production technology and workflows.

Everybody is welcome
Diversity and Inclusion Statement. | PCR Digital
"At PCR Digital, we are committed to ensuring that diversity, equity and inclusion play a role at all stages of our recruitment - it is important to us that our own company culture and the culture of our network is as varied and supportive as possible. We love people (it's why we do what we do), so, regardless of background, we welcome you to work with us or apply to any of our jobs if you feel that they are right for you."

Broadcast Technology Project Manager - Post Production Broadcast Technology
Outside IR35 TBC Approx 500-550pd
3-6 months (ideally 4 days a week M-T)
Hybrid Working Typically 1-2 days a week in West London
Immediate Start

Project manager with relevant Broadcast Sector experience with Post Production Workflow and / Post Production Technology experience/Knowledge. This is an Urgent fast paced project requiring someone to start at short notice (immediate start or within 1-2 Weeks notice). It is a technology and change project which will involve moving key post production and data workflows to a new system in a short period of time. The right person will need the ability to get up to speed quickly and work confidently with people to get decisions made while maintaining good relationships with Engineering, Creative teams and current and target Post Production Vendors/suppliers.

Broadcast Media Client based in West London - looking for someone nearly full time (ideally 4 days a week) in the first phase of the project which will be for approximately 3 months, then reducing to part time for the remainder of the project, a further 3 months (approx 2 days a week).

The person
* Experienced at project management and change management within the broadcast media / post production sector (Delivering media Technology projects along with managing/preparing for the resulting change)
* Strong Project Manager with some Business Analysis skills to be able to gather information and document clearly (This is not a BA role - Project management and Change Management is most important)
* Good experience of post production, creative flows, MAM workflows and data,
* Good Experience of working with Creative and Technology teams
* Can work at pace and get up to speed quickly with the teams and the technology
* Can manage a project team and work with a 3rd party vendor
* Can work in detail and give senior stakeholders clear status reports and information to make decisions
* Can work in West London office approx 1-2 days a week and attend meetings in person

Although we are looking for someone to drive this project forward and be really on it, we need someone with great communication skills and collaboration skills who can keep work well with the small technology Engineering teams, new vendor, and help the Creative teams make a comfortable operational transition to the new post production technology and workflows.

Everybody is welcome
Diversity and Inclusion Statement. | PCR Digital
"At PCR Digital, we are committed to ensuring that diversity, equity and inclusion play a role at all stages of our recruitment - it is important to us that our own company culture and the culture of our network is as varied and supportive as possible. We love people (it's why we do what we do), so, regardless of background, we welcome you to work with us or apply to any of our jobs if you feel that they are right for you."

• Oversee all aspects of audio production for broadcast, including recording, mixing, and mastering.
• Operate and maintain a wide range of broadcast audio equipment, including mixing consoles, microphones, signal processors, and digital audio workstations (DAWs).
• Mix live and pre-recorded audio feeds to broadcast standards, ensuring clarity, balance, and emotional impact.
• Troubleshoot and resolve audio-related technical issues during live broadcasts and recordings.
• Collaborate closely with directors, producers, and other technical crew members to achieve the desired soundscape.
• Implement and manage audio signal flow, ensuring efficient and high-quality transmission.
• Stay abreast of the latest advancements in broadcast audio technology, software, and techniques.
• Develop and maintain audio assets, libraries, and documentation.
• Conduct remote sound checks and provide technical support to talent and crew in different locations.
• Ensure compliance with all relevant broadcast technical specifications and quality control standards.

• Extensive experience as a Broadcast Sound Engineer or in a similar high-stakes audio mixing role within the media industry.
• Proven expertise with digital mixing consoles (e.g., Yamaha, Midas, Studer), RF systems, and various microphone technologies.
• Advanced proficiency in industry-standard DAWs such as Pro Tools, Nuendo, or Adobe Audition.
• Deep understanding of acoustics, signal processing, and audio post-production techniques.
• Demonstrated ability to work calmly and effectively under pressure in live broadcast environments.
• Excellent problem-solving skills and a proactive approach to technical challenges.
• Strong communication and interpersonal skills, with the ability to collaborate effectively with remote teams.
• A keen ear for detail and a passion for delivering superior audio quality.
• Familiarity with IP-based audio networking (e.g., Dante) is a significant advantage.
• Must have a reliable, high-speed internet connection and a dedicated, acoustically treated space for critical listening and mixing.